{"id":242,"date":"2026-08-31T20:28:47","date_gmt":"2026-08-31T20:28:47","guid":{"rendered":"https:\/\/labcsd.cl\/cms\/es\/proyectos-e-investigacion\/unpacking-the-digital-habitus-of-music-fans-in-santiagos-indie-music-scene\/"},"modified":"2026-09-08T14:24:13","modified_gmt":"2026-09-08T14:24:13","slug":"unpacking-the-digital-habitus-of-music-fans-in-santiagos-indie-music-scene","status":"publish","type":"proyecto","link":"https:\/\/labcsd.cl\/es\/proyectos-e-investigacion\/unpacking-the-digital-habitus-of-music-fans-in-santiagos-indie-music-scene\/","title":{"rendered":"Unpacking the \u2018digital habitus\u2019 of music fans in Santiago\u2019s indie music scene"},"content":{"rendered":"<p>Technology is central to the configuration of a music marketplace but attention is<br \/>\ntypically focused on producers and the means of distribution. Much less is known<br \/>\nabout the role consumers play and how fans use digital technologies to participate,<br \/>\nshape, and co-produce music scenes (see also Leyshon et al. this volume). This<br \/>\nchapter is about the practices of a group of music fans who create and maintain<br \/>\nwebsites about music scenes, with special emphasis on Santiago\u2019s indie music<br \/>\nscene. These fans spend a lot of time in front of their computers, programming,<br \/>\nsurfing the web, uploading content on their websites, redesigning them to include<br \/>\nnew applications, as well as managing Facebook and Twitter accounts, exchanging<br \/>\nlinks, pictures, and various types of content. They do the same thing using their<br \/>\nmobile phones, communicating with the audiences they construct through their<br \/>\nwebsites. Digital communications technologies are present everywhere in their<br \/>\neveryday lives. It is therefore impossible to understand how they structure their lives<br \/>\nwithout observing the centrality that the internet, mobile phones, flows of<br \/>\ninformation, and links, clicks, \u201ctweets\u201d or \u201clikes\u201d have in their daily activities. These<br \/>\ntechnologies enable individuals to situate themselves in networks where different<br \/>\nflows of objects and symbols (Appadurai 1986) circulate regarding their interests,<br \/>\nparticularly around music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Technology is central to the configuration of a music marketplace but attention is typically focused on producers and the means of distribution. Much less is known about the role consumers play and how fans use digital technologies to participate, shape, and co-produce music scenes (see also Leyshon et al. this volume). This chapter is about [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","linea_investigacion":[23],"tema":[34,37,38],"class_list":["post-242","proyecto","type-proyecto","status-publish","hentry","linea_investigacion-cultural-and-creative-industries","tema-fans","tema-habitus-digital","tema-santiago"],"acf":[],"_links":{"self":[{"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/proyecto\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/proyecto"}],"about":[{"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/types\/proyecto"}],"wp:attachment":[{"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/media?parent=242"}],"wp:term":[{"taxonomy":"linea_investigacion","embeddable":true,"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/linea_investigacion?post=242"},{"taxonomy":"tema","embeddable":true,"href":"https:\/\/labcsd.cl\/es\/wp-json\/wp\/v2\/tema?post=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}